Monday, March 10, 2025

Hamish Black’s Afloat

A little more than 25 years ago, a striking sculpture appeared on Brighton Beach, captivating the imagination of passersby with its unique form and thought-provoking concept. Hamish Black’s Afloat, a bronze work that reimagines the world as a floating torus, has stood the test of time, becoming an iconic landmark that continues to inspire locals and tourists alike.


Born in Braintree, Essex, in 1948, Black grew up assisting in his family’s blacksmith business. This youthful apprenticeship led to a deeper interest in making forms with metals. Aged 16, he began to study art, seven years in all - at Eastbourne School of Art, North East London Polytechnic, and the Slade School of Art. He preferred to sculpt in metal but also realised works in wood and ceramics, often using an additive process, a form of assemblage in three dimensions, as opposed to the reductive process of the stone or wood carver.

Throughout his career, Black was committed to art education, teaching at various institutions including Brighton Polytechnic, West Sussex College of Art, and Wimbledon School of Art. In the mid-1980s, he began a significant collaboration with renowned sculptor Sir Anthony Caro, which lasted for 25 years. He resides in East Sussex, but there is little sign in the media of any recent projects - his personal website has remained unaltered for some years.

Back in 1998, as part of his One World Series, Black created Afloat, commissioned by Brighton & Hove City Council and funded by the Arts Lottery. The work ingeniously transforms a traditional globe into a bronze torus, with continents drifting across its surface, allowing viewers to gaze through the world itself - both out to sea, and in towards man’s urban landscape. Afloat is 2.5 metres in diameter, weighs 2.2 tonnes, and was put in place on the seaward end of the East Street Groyne by a crane, with Black overseeing the installation. Just as the sculpture soon became known as The Donut, so, too, did the groyne become known as the Donut Groyne. 

Apart from Afloat, Black’s contributions to Brighton’s artistic landscape include works like Tree House, crafted from elms felled during the 1987 storm, and Brighton Light, a steel fabrication for the University of Brighton. 

Meanwhile, according to Brighton council, Afloat is now often the place for assignations, even proposals of marriage.



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