From batteries to baths

Historically, Brighton long needed to defend itself against frequent incursions across the Channel by the French. The town first seems to have resolved to erect fortifications more than 450 years ago, in 1558. A Court Baron of the manor of Brighthelmston-Lewes, John Ackerson Erredge tells us in his History of Brighthelmston, was held on the 29th of September in that year; and the following entry appeared in the Court Rolls:

‘North part of the Block-house aforesaid is built on part of the demesnes of that manor. The land granted was on the Cliff between Black-lion street and Ship street, and about 215 yards westward of East street. The Block-house was circular, about fifty feet in diameter, and the walls were about eight feet in thickness, and eighteen feet in height. Several arched apartments in its thick walls were depositories for the powder and other ammunition for the defence of the town. In front of it, towards the sea, was a little battery called the Gun Garden, on which were mounted four pieces of large iron ordnance. Adjoining the Block-house, on the east, stood the Town-house, with a dungeon under it for malefactors; and on the summit of this building rose a turret, on which the town clock was fitted. At the same time with the Block-house, were erected four gates of freestone, (three of which were arched) leading from the Cliff to that part of the town which lay under it, namely, the East Gate at the bottom of East street; the Portal, which was called the Porter’s Gate, and was less than any of the others; it stood next the East Gate; the Middle Gate, opposite the end of Middle street, commonly called the Gate of All Nations; and the West Gate, which stood at the end of West street. From the East Gate, westward, there was, at the same time, a wall built about fifteen feet high, and four hundred feet long, where the Cliff was most easy of ascent: and from the termination of that wall, a parapet three feet high, was continued on the verge of the Cliff to the West Gate, with embrasures for cannon. The Block-house was built at the expense of the mariners of the town; but the gates and walls were erected partly if not wholly by the government.’

By 1580, Brighton’s defences are said to have included: four great cannon sent from the Tower of London; two additional cannons belonging to the inhabitants; and ten callivers (a type of light musket). According to a justice of the peace, by 1635 the town was lacking sufficient defence abilities, moreover, coastal erosion was continuously threatening the existing structures. Two batteries were built in 1759-1760 during the Seven Years War, but the East Battery’s guns were washed into the sea in 1786.

In 1793, during the French Revolutionary Wars, new batteries were constructed. The West Battery, a prominent feature of this period, was installed on King’s Road. It consisted of six cannons that could fire 40-pound cannonballs. The location of the West Battery significantly influenced the development of Brighton’s seafront. It was situated where the Grand Hotel now stands, causing a curve in King’s Road to accommodate its presence. This strategic positioning not only served defensive purposes but also shaped the layout of Brighton’s iconic seafront.

Incidentally, in 1813, the Artillery Baths opened near the West Battery, later becoming Hobden’s Royal Artillery Baths in 1824.

Other online sources, apart from Erredge, include Sue Berry’s The seaside resorts of Sussex c.1730–1815: resort development and military defences on the south coast of England’, My Brighton and Hove, British History Online. The above image has been widely used in publications, but this one was downloaded from the media collection of Brighton and Hove Museums.

Arnold Bennett in Brighton

Here is Arnold Bennett, the most successful British author of the early 20th century, writing in his diary exactly 115 years ago today.

3 February 1910

‘The other morning I watched the sea-gulls helping the scavenger to scavenge the remains of the daily fish market on the beach. Rain. Strong wind. They could not alight. They had a lot of balancing and steering to do. They dived again and again for the same bit of offal, missing it, till they got it. Then each prize-winner sailed off against the wind with difficulty towards the Palace Pier, and out of my sight somewhere; but some seemed to swallow the piece en route. I was watching them alight in the water the other day; all did exactly the same; a planing descent, then, close on water, 2 or 3 half-flaps, a raising of the head, and they were afloat.’

Bennett was born into a large family in Hanley, Staffordshire, in 1867. Aged 16, he left school to work for his solicitor father, but in 1889, he escaped to London where an interest in journalism led him to become an editor, and then editor-in-chief, of a magazine called Woman. His debut novel - A Man from the North - was published in 1898, and gave him sufficient confidence, a couple of years later, to give up his day job and become a full-time writer. 

From the outset, Bennett adopted an unmistakable style, aligned to the French realists, aiming to depict a real and gritty - rather than romantic - view of life, with all its everyday and banal activities, not least when connected with poor social conditions. At the turn of the century, he moved to Paris, then buzzing with literary and artistic talent, where he stayed for the best part of a decade. During this time he met and married Marie Marguerite Soulié. 

In early 1910, Bennett and Soulié stayed for a few winter months in Brighton at the Royal Albion Hotel as the guest of its flamboyant proprietor Sir Harry Preston. Bennet had done all his research for a new book, to be called Clayhanger, and he used his time in Brighton to write most it, averaging about 1,000 words a day. The novel was published before the end of the same year, and, by early 1911, he was writing a sequel, Hilda Lessways, part of which would be set in Brighton.

Bennett’s authorial skills were put to use during the war, by the end of which he was in charge of propaganda in France. He separated from his wife in 1921, and the following year became involved with Dorothy Cheston, an actress, who bore him a daughter. Though he continued to churn out novels, their critical reputation declined during the 1920s, his literary style coming to be seen as old-fashioned. Nevertheless, his non-fiction was much sought after, and he was famously the highest paid literary journalist in England, with a weekly column in the Evening Standard. He caught typhoid on a trip to France and died in 1931.

Bennett began keeping a diary in 1896, and continued to the end of his life. The excellent journals, which were inherited by Dorothy Cheston, are said to contain over a million words. They were edited by Newman Flower and published in three volumes by Cassell in 1932-1933, titled The Journals of Arnold Bennett 1896-1928. In his introduction, Flower says Bennett’s diaries show him in the manner of a modern Pepys; elsewhere, though, they are considered to have been inspired by the famous French diaries of Edmond and Jules De Goncourt, themselves very influential in the realist/naturalist movement.

Here is another extract from Bennett’s diary written in Brighton.

5 January 1910

‘This morning at 9:45 I began to write ‘Clayhanger’. I felt less nervous and self-conscious than usual in beginning a book. And never before have I made one-quarter so many preliminary notes and investigations. I went out for a little recess, and at 1:30 I had done 1,000 words, which was very good for a first day.

We went to the Aquarium after tea, and heard mediocre music, and saw first-rate fishes, etc., living long under highly artificial conditions. The seals and alligators seemed to be intensely bored and sick of life, but perhaps they weren’t. Then I came back and wrote half an article for the ‘Nation’ about the Hanley music-hall.

Earlier in the afternoon I went out and viewed the shore, and the launching of fishing boats. All kinds of activity in progress, spoiling to be described. But now that I am on my novel I am tied up again for six months from anything really swagger in the way of description.

Weather misty. No visible round trace of the sun. The hotel is haunted by barrel organs. In fact in various ways Brighton seems to be what London was. Its architecture is old Belgravia and Tyburnian.’

And, finally, here is an extract about Brighton not from the diaries but from Bennett’s novel Hilda Lessways:

‘The putting-on of brakes took her unawares. The train was in Brighton, sliding over the outskirts of the town. . . Hilda saw steep streets of houses that sprawled on the hilly mounds of the great town like ladders: reminiscent of certain streets of her native district, yet quite different, a physiognomy utterly foreign to her. This, then, was Brighton. That which had been a postmark became suddenly a reality, shattering her preconceptions of it, and disappointing her she knew not why. She glanced forward, through the window, and saw the cavern of the station. . .

Her first disappointment changed slowly into expectant and hopeful curiosity. The quaint irregularities of the architecture, and the vastness of the thronged perspectives, made promises to her romantic sense. The town seemed to be endless as London. There were hotels, churches, chapels, libraries, and music-shops on every hand. The more ordinary features of main streets - the marts of jewellery, drapery, and tobacco - had an air of grandiose respectability; while the narrow alleys that curved enigmatically away between the lofty buildings of these fine thoroughfares beckoned darkly to the fancy. The multiplicity of beggars, louts, and organ-grinders was alone a proof of Brighton’s success in the world; the organ-grinders, often a man and a woman yoked together, were extraordinarily English, genteel, and prosperous as they trudged in their neat, middle-class raiment through the gritty mud of the macadam, stolidly ignoring the menace of high-stepping horses and disdainful glittering wheels. Brighton was evidently a city apart. . .’ 

The caricature of Bennett above (by Oliver Herford in The American Magazine) was sourced at Wikipedia, The book cover here is one of many different editions available at Abebooks.

More about Bennett and his diaries can be found in my book Brighton in Diaries (History Press, 2011)

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Murders and jellyfish

How often would you think the name ‘Brighton Beach’ appears in book titles, past and present? Surprisingly, it transpires the answer is very few. The least rare of these is a play by Neil Simon, Brighton Beach Memoirs, but this does not trouble us, for it concerns Brighton Beach, Brooklyn, not Brighton Beach, UK.

The most recent work I can find is a modern American novel: Murder at Brighton Beach by Lee Strauss. This is advertised as a ‘cozy historical mystery’ and forms part of the Ginger Gold mystery series, with Ginger Gold ‘a stylish and sharp-witted young widow’.

Also recent, but undated, is Brighton Beach (Short Stories Book 1) by Samuel Cain. This is only available in a Kindle edition (for 79p) and contains but 10 pages - enough, however, to reveal the writer doesn’t know Brighton very well. For example, the narrator is on a train arriving into Brighton: ‘My sister was pressed up against the window. “Mum” she said, pointing toward water far in the distance behind a large town. “Are we going there?” she asked as excitement gripped her body making her move erratically. “That’s Brighton beach,” my mother said and I looked toward the waters sparkling in the distance. “What’s a beach?” my sister asked. “A place with lots of sand,” my mother replied.’ However, the book has a rather splendid cover by Waewdao Sirisook. There may be nothing about jellyfish in the story, but floating IS a theme.

Otherwise, I have found two crime works - both rather lost in time. From 1910 comes Brighton Beach by Alice Dudeney. This is a short story originally published in her collection Poor Dear Esme. 

And then there’s The Brighton Beach Mystery by Charles Kingston (1936) by Ward, Lock and Co. This is a second book in the Chief Inspector Wake series and revolves around a murder discovered on Brighton Beach. A review can be read at The Spectator Archive.