Here is the 20th of 24 stained glass window designs on the Palace Pier which AI and I are using as inspiration for some of these BrightonBeach365 daily posts - see Stained Glass Window 1 for background. This image shows four small boats are clustered together on lively, broken water, their hulls overlapping as if pressed close at a busy mooring. In the foreground, a yellow boat and a white-and-red one tilt toward each other, their cabins and decks picked out in clean, angular lines. Behind them lie a vivid red boat and a pale grey one, half-hidden but still distinct, riding at slightly different angles as if shifting with the tide. Strong verticals rise from all four, suggesting taut mooring lines or slender masts, while the sea around them is fragmented into sweeping bands of deep blue, light blue and green, giving the whole scene a sense of movement and bright coastal weather.
A limerick starter
Four boats on a restless blue sea
Were tangled as tangled could be.
Said the yellow one: ‘Mate,
Is this some kind of date?’
Replied red: ‘Only if you moor with me.’
The Mystery of the Crowded Boats (with apologies to Enid Blyton)
Julian spotted the cluster of boats first. They were moored oddly close together, their bright colours bobbing on the choppy water just east of the old West Pier. The four of them were almost nose-to-nose, as if whispering secrets. George shaded her eyes and frowned.
‘They weren’t like that yesterday,’ she said. ‘Look - they’re practically jammed together. Something’s happened.’
Timmy barked in agreement and pulled at his lead. Anne, who always noticed the smaller details, pointed to the sandy shingle at their feet.
‘There are fresh imprints here,’ she said. ‘Two sets - and one of them looks as though the person was carrying something heavy. The prints sink deeper.’
Dick, who was already scrambling towards the nearest groyne, gave a low whistle. ‘And here’s another clue - look at this rope end. It’s been cut clean through. Someone’s taken one of the boats out, and put it back in a terrible hurry.’
George’s eyes shone. ‘Let’s hire a dinghy from the fishing hut and go over to them. If someone’s been up to mischief, we might still catch them.’
Minutes later, they were rowing hard through the shifting green-blue water, Timmy perched at the bow like a proud figurehead. As they drew nearer, the four boats looked even stranger. The yellow one was scuffed along its side, the grey one had a new dent near the stern, and the white-and-red boat was sitting lower in the water than any of them liked.
‘Julian!’ Anne cried. ‘It’s overloaded!’
They pulled alongside, and Dick leaned over. Inside the half-sunken boat lay a wooden crate, still wet and half wedged beneath the seat. Rough stencilled letters ran across its side: BEACH HUT 243 - KEEP SHUT.
‘It must have come loose from its mooring wherever that was, and drifted here’ Julian said. ‘And now it’s stuck between the other boats.’
George tugged at the crate and the lid came away with a snap. Inside were neat rows of shiny tin canisters, each labelled MODEL ROCKET FUEL - CAUTION.
‘Rocket fuel!’ Dick said in astonishment. ‘What on earth is it doing here?’
Julian looked back towards the beach, where the line of colourful beach huts curved towards Hove.
‘I think someone’s planning something they shouldn’t,’ he said. ‘And whoever keeps hut 243 may be in danger, not involved. We must inform the coastguard immediately.’
Timmy barked triumphantly. The children tied the red boat up to the others, and hauled the crate into their own dinghy before setting off to return to shore. Behind them, the four boats rocked together as though relieved to have given up their secret.
By the time the sun dipped behind the West Pier ruins, the Famous Five had uncovered a plot, saved a string of beach huts from a fiery mishap, and earned themselves enormous ice-creams from the grateful hut-owner - just the sort of ending, Anne thought happily, that Brighton Beach always seemed to give them.

No comments:
Post a Comment