Beside the Sea

Brighton’s 2025 Beside the Sea exhibition, running from May through September, features works by renowned photographers Martin Parr and JJ Waller, with a particular focus on Waller’s intimate and playful portrayal of Brighton Beach. The exhibition is presented in three distinct venues: the Hove Museum of Creativity, The Seafront Gallery, and, most strikingly, on the roofs of Brighton’s bus shelters (which, according to the organisers, is a world first).

JJ Waller, a British documentary photographer born and raised in Brighton, is well known locally for his portraits of people in Brighton and other coastal towns such as St Leonards-on-Sea and Blackpool. His images capture the spirit of Brighton Beach, a place celebrated for its freedom, eccentricity, and everyday spectacle. Waller’s photographs depict children with ice cream-smeared faces, sunbathers asleep on the pebbles, and the curious mix of visitors in various states of undress, all contributing to a rich visual record of seaside life. 

Drawing on his background in performance and theatre, Waller blends candid moments with a staged quality, highlighting the ritual and rhythm of the beach without losing sight of humour and humanity. His recent work, including widely praised Covid-19 lockdown portraits of Sussex residents taken through their windows, has brought him national recognition and was even edited into a collection by Martin Parr.

The Beside the Sea exhibition breaks new ground by presenting over 65 large-scale photographs some pasted flat onto the roofs of 30 bus shelters across Brighton, visible only from the top deck of a double-decker bus. This innovative approach transforms everyday journeys into art experiences, integrating photography into the city’s fabric and making the exhibition accessible to all with a bus ticket or pass. Waller, inspired by childhood memories of bus rides with his mother, sees this as a unique way to open up new exhibition spaces and reach audiences who might not typically visit galleries. He describes the collaboration with Parr, who is exhibiting in Brighton for the first time, as a dream come true, likening it to a young musician sharing a double album with legends like Bowie or McCartney.

In addition to the bus shelter installations, the exhibition is anchored at the Hove Museum of Creativity and The Seafront Gallery, where visitors can enjoy classic and rarely seen seaside photographs in more traditional gallery settings. The gallery, located on the lower esplanade by the West Pier spiral, offers an enhanced experience for those promenading along the beach, blending art with the everyday seaside environment. While Martin Parr’s contributions add national context and depth with images from his iconic Last Resort series and other archives, it is JJ Waller’s local focus and playful sensibility that give Beside the Sea its distinctly Brightonian flavour. 

New temp beach huts for renting

Eleven new beach huts will be available for hiring in Hove, near the Peace Statue, from Monday. The huts are under construction for Kairos - a boutique events agency - and will be rented out online through the summer until September. Their installation has been authorised by Brighton & Hove Council with an events licence, but Kairos has also put in a three year planning application so as to be able to continue the project for two more summers after this one.  

In the council planning documents, Kairos explains that a total of eleven beach huts will be installed along the concrete promenade adjacent to Hove Lawns - in ‘a currently underutilised section of the seafront’. They will be designed to complement the existing architectural character of the seafront, and will not impact any heritage or listed buildings. Moreover, they will follow the established design and colour schemes of the current beach huts. ‘These additions aim to enhance the vibrancy of Hove seafront by increasing footfall and providing new opportunities for both local residents and businesses to enjoy and engage with the beach hut experience.’

Kairos envisages close collaboration with the nearby cafe (see also The Meeting Place progress). For example, it says, ‘guests will have the convenience of ordering coffee and other beverages directly to their huts via a dedicated mobile app, creating a seamless and enjoyable seafront experience that supports local business and promotes visitor engagement.’ Furthermore, ‘collaboration with Brighton & Hove Albion Football Club will aim to deliver a range of seasonal activities aimed at engaging the local community. This partnership will include structured coaching sessions, skills workshops, and inclusive sporting events designed to promote physical activity, teamwork, and community involvement.’

Under the events licence, the beach huts are intended to remain in place for an initial period of five months, but the new planning permission application is for a duration of 36 months ‘to allow flexibility in extending the initiative’ - i.e. installing the huts for five months in each of the next two years. To date, the planning application has attracted one online comment, from a ‘neighbour’. He/she states: ‘The views from Grade I listed buildings in Brunswick Square and Terrace are affected. Furthermore, the height of the huts seem not to be as per existing beach huts with these new huts appearing to be considerably taller than all other beach huts and the specifications for those huts clearly defined and contrary to this application.’ 

Guest: Brighton Beach, Brooklyn, New York

Brighton Beach, Brooklyn, is arguably the second most famous Brighton Beach in the world. Named in the late 19th century by developers, it quickly took on a life of its own. The name refers not only to the beach itself but to the surrounding neighbourhood, a vibrant enclave that has evolved dramatically over time.

Originally marshland on the southern fringe of Brooklyn, in the 1870s, Brighton Beach was transformed - initially by the energy of entrepreneur William Engeman - into a fashionable destination. The grand Brighton Beach Hotel, built on 400 pilings driven into the sand, opened in 1878. It promised New York’s affluent classes an elegant retreat by the sea, with live orchestras, gas lighting, and fresh ocean breezes.

By the late 1880s, however, the hotel faced a serious threat: the Atlantic Ocean was steadily eroding the shoreline, bringing waves perilously close to the hotel’s foundation. To save the structure, in 1888, Engeman’s son (also William) invested in a remarkable engineering feat: the entire building, estimated to weigh eight million pounds, was lifted onto 112 railroad flatcars laid across 24 tracks and moved approximately 600 feet inland using six steam locomotives. The operation, completed over ten days, was hailed as the largest building move of the 19th century and ensured the hotel’s survival until its demolition in 1924. Much more about the local history can be found at this Coney Island website or Wikipedia.

Since 1878, the area had been linked by rail, making day trips to the beach feasible for the city’s growing middle class. Nevertheless, as the early 20th century progressed, the resort atmosphere began to wane, and Brighton Beach became more of a year-round residential community, though still offering summer relief to generations of families who could not afford more distant holiday vacations. The sandy shore, gently sloping into the Atlantic, was less garish than neighbouring Coney Island and drew a quieter crowd. The famous Riegelmann Boardwalk, dating from 1923, which connects Brighton Beach to Coney Island westward and Manhattan Beach eastward, became - and has remained - a place for promenading, gossiping, and people-watching.

Brighton Beach gained a new identity in the 1970s and 1980s with the arrival of thousands of Jewish immigrants from the collapsing Soviet Union. The beach was suddenly lined with voices speaking Russian, Ukrainian, and Uzbek. Delis and dumpling shops sprang up alongside the boardwalk, and signs appeared in Cyrillic. The neighbourhood gained the nickname ‘Little Odessa’, but the beach never lost its public character. It remained open to all, from families playing dominoes under beach umbrellas to sunbathers from across the boroughs. Hurricane Sandy in 2012 brought flooding and damage, but the community and city worked to restore the coastline, reinforcing dunes and shoring up flood defences.

Neil Simon’s semi-autobiographical play Brighton Beach Memoirs brought some attention to the locale. Published in 1982, it was set in the 1930s. In 1983, it received the New York Drama Critics’ Circle Award for Best Play. Some 40 years later, in 2024, the beach stepped into a brighter spotlight with the release of Anora, an Oscar-winning film that made effective use of the location’s gritty warmth and visual character, with scenes filmed on the boardwalk and beach.

Check out Brooklyn Magazine’s Insider Guide to Brighton Beach if you’re planning a visit.

Yellow horned-poppy

Found on the beach: the yellow horned-poppy (Glaucium flavum), a distinctive coastal plant, easily recognised by its vivid yellow flowers and long, curved seed pods. Native to the shores of Europe, North Africa, and western Asia, it thrives in some of the most inhospitable environments nature provides. Found on shingle beaches, sand dunes, and windswept cliffs, it is adapted to survive where few other species can. Its blue-green, deeply lobed leaves are coated with a waxy layer that helps reduce moisture loss and protect against salt spray, allowing the plant to withstand intense sun, saline winds, and poor, shifting soils.

Flowering from June to September, the yellow horned-poppy produces four-petalled blooms that stand out brightly against its muted foliage. These are followed by the plant’s most unusual feature: long, slender seed pods that resemble horns and can reach up to 30 centimetres in length. When mature, these pods split open forcefully, scattering seeds across the surrounding ground - an effective strategy for colonising mobile shingle and sand.

First formally described in the 18th century, the plant’s Latin name reflects its characteristics: Glaucium refers to its glaucous, or bluish-green, leaves, while flavum simply means yellow. Though less celebrated than the red field poppy, the yellow horned-poppy has appeared in folklore and poetry, often associated with themes of resilience and solitude. In some coastal traditions, picking the plant was considered unlucky and thought to bring storms or bad fortune to sailors.

Despite being toxic in all parts, the plant has a long history of medicinal and practical use. It contains the alkaloid glaucine, responsible for the yellow latex it exudes when cut. This compound, while potentially harmful, has been used as a non-opioid cough suppressant and bronchodilator, particularly in Eastern Europe, where glaucine salts were once prescribed for respiratory conditions. In English folk medicine, the root was sometimes used in poultices to treat bruises and pains. Historically, oil pressed from its seeds served as an ingredient in soap-making and as lamp fuel, although these uses have declined in modern times.

The yellow horned-poppy remains almost entirely coastal in its distribution, rarely found inland except as a garden escape or in areas where ancient shorelines once lay. Its ability to tolerate drought, salt, and wind makes it valuable in stabilising loose beach sediments and supporting fragile coastal ecosystems. The plant’s yellow sap can stain skin and was occasionally used as a dye. Gardeners sometimes cultivate it for its unusual appearance and resilience, particularly in gravel or seaside-themed gardens. It is unpalatable to deer, largely pest-free, and its bright blooms are attractive to bees. However, due to its toxicity, it should be handled with care, especially in gardens frequented by children or pets. Further information is available from The Wildlife Trusts and Wikipedia.

It is worth noting that as part of the council’s Black Rock Rejuvenation Project, the yellow horned-poppy is among 1,000 young plants now settling into specially designed shingle beds at the eastern end of Brighton Beach. These yellow horned-poppies were propagated by horticulturalists at Kew’s renowned Millennium Seed Bank at Wakehurst, using cuttings collected from existing beach populations by the Black Rock Project Team in collaboration with Kew experts. After being carefully nurtured and grown from both cuttings and seed, the yellow horned-poppies have been replanted in innovative ‘wave’ design beds that help shield them from the challenging coastal environment. See also Vegetated shingle.

World Exclusive - neural sedimentary formations

It can now be revealed, publicly for the first time, that a remarkable discovery on Brighton Beach six months ago sparked an unprecedented global scientific investigation into what researchers are calling ‘neural sedimentary formations’ - naturally occurring stones displaying complex branching patterns that appear to encode structured information. The initial specimen, designated BRS-001 (Brighton Research Sample 001), was recovered from the characteristic flint pebble deposits that define this stretch of the English coastline.

The discovery - last December - occurred during routine geological surveys of Brighton’s distinctive pebble formations. Unlike typical flint deposits released from adjacent chalk cliffs through natural erosion, specimen BRS-001 exhibited unprecedented dendritic patterns resembling neural networks or vascular systems. The stone’s surface displayed intricate branching formations with mathematical precision suggesting fractal geometry, similar to patterns observed in natural phenomena such as Lichtenberg figures and biological structures.

Dr. Sarah K. Morrison, lead researcher at the Institute for Anomalous Geology, noted that while fractal patterns occur naturally in various forms - from plant leaf veins to coastal lines - the regularity and apparent information density of BRS-001’s patterns exceeded all known natural formations. Preliminary electromagnetic analysis revealed unusual crystalline matrices within the stone’s flint composition, suggesting possible piezoelectric properties that could theoretically store and transmit data.

Sophisticated imaging techniques revealed that the branching patterns extend throughout the stone’s interior in three-dimensional networks. Unlike surface Lichtenberg figures that form during electrical discharge events, these formations appear to be integral to the stone’s formation process. Spectroscopic analysis identified trace elements not typically found in Brighton’s geological composition, including rare earth metals arranged in geometrically precise configurations.

The breakthrough came when researchers applied quantum resonance scanning to the specimen. The branching patterns began exhibiting coherent electromagnetic signatures, suggesting active information processing capabilities. Computer modelling indicated that the stone’s internal structure could theoretically store approximately 2.3 petabytes of data - far exceeding current human storage technologies.

Following private publication of preliminary findings, the Global Anomalous Materials Consortium launched Operation Neural Stone, a worldwide search for similar specimens. Research teams were deployed to coastal regions across six continents, focusing on areas with comparable geological characteristics to Brighton Beach’s flint-chalk formations.

Within the last six months, thirty-seven similar specimens have been recovered from locations including the Normandy coast, Tasmania’s eastern shores, and Nova Scotia’s Bay of Fundy. Each stone displayed unique branching patterns while maintaining consistent internal crystalline structures, suggesting a common formation mechanism operating across geological timescales.

The discovery has revolutionised understanding of natural information storage systems and raised profound questions about the origins of complex pattern formation in geological processes. Current research focuses on determining whether these formations represent an unknown natural phenomenon or evidence of technological intervention by unknown entities.

The scientific community remains divided on the stones’ origins, but all agree that it is time to reveal the astounding discoveries to the general public: BRS-001 and its global counterparts represent one of the most significant geological discoveries of the modern era, potentially reshaping our understanding of information theory, crystalline physics, and planetary formation processes.

Classic Car Run

The annual London to Brighton Classic Car Run returned to Madeira Drive today in a glorious blur of polished chrome, growling engines and retro styling. This long-standing favourite on the UK motoring calendar brings together classic car enthusiasts from across the country and beyond, for a scenic drive that concludes at Brighton Beach.

The event was first held in 1988, designed to complement the Veteran Car Run (for pre-1905 vehicles) and give post-war classics their own moment in the sun (or rain!). Starting at Brooklands Museum in Surrey - itself a landmark of British motoring history - the route leads participants through picturesque countryside and historic villages, before finishing at the traditional motor venue of Madeira Drive. With the South Downs in full early summer bloom, the scenic aspect is no afterthought, it is said, but motoring as leisure, not speed. Participants receive a commemorative plaque, a rally board, and a route book complete with historical notes.

Entry is open to a wide range of vehicles - typically those built before 1973, although this cut-off can shift slightly to accommodate newer classics. Over the years, the event has grown to include the Kit & Sports Car Run and Modern Classics Run. On arrival in Brighton, participants park up along Madeira Drive to the delight of the waiting crowds, who are free to wander among the cars, and to chat with drivers of the lovingly-maintained vehicles.

Today’s display included several Ford Escorts in eye-popping hues - a lime green Mexico, a tangerine RS2000, and a glossy red custom job with the bonnet proudly lifted to show off its gleaming engine bay. Just a few cars down, a cream Rolls-Royce Silver Wraith (late 1940s or early 1950s) garnished with white floral garlands showed off its wide curving haunches - perhaps, a study in postwar elegance.

Over the decades, the Classic Car Run has built up its own mythology. There was the time when a fleet of Morris Minors took a wrong turn and arrived triumphantly from the wrong end of the promenade. And then there was the Triumph Herald that boiled over just yards from the finish line, only to be pushed across by its laughing, Union Jack-draped crew. In 2017, a 1950s Bentley was delayed by a flock of sheep crossing a Sussex lane; the driver simply tipped his cap and declared, ‘Motoring as it should be - unpredictable and utterly British.’

See also the Historic Commercial Vehicle Run.

Basketball upgrade for beach

A newly refurbished basketball court on Brighton Beach officially reopens today, following a major upgrade funded by Brighton & Hove City Council with support from Foot Locker and the Hoopsfix Foundation. The court has been extended in size and features a vibrant pink and blue design by Sam Sure of Half Decent Day. New equipment includes regulation-size Perspex backboards, spring-loaded rings, and a fresh playing surface with FIBA-standard markings.

The court’s relaunch (on this rather misty day) is being celebrated with a free public event, including coaching sessions for children, exhibition games, a slam dunk show, music, and giveaways, and will be followed by a new schedule of regular tournaments and competitions set to take place at the site (in partnership with Hoopsfix).

The improvements were guided by a public consultation in which over 500 people participated. The overwhelming majority supported the upgrades, with 98% requesting new hoops and 86% asking for a larger court. In response, the court was lengthened by four metres and widened by two metres to better serve the growing number of basketball enthusiasts in the area.

Council leaders and project partners have praised the collaborative effort. Councillor Alan Robins said the court’s popularity reflects the national rise in basketball participation, especially among young people. Sam Neter of Hoopsfix described the court as one of the UK’s most iconic.

Brighton’s most prominent basketball connection is the Brighton Bears. Originally established in 1973, the team became a powerhouse in British basketball, playing under the Brighton Bears name until 1984 before relocating to Worthing and becoming the Worthing Bears. The team returned to Brighton in 1999, competing at the Brighton Centre - just a short walk from the beach - and quickly re-established itself as a top-flight team in the British Basketball League (BBL). 

Under the leadership of coach Nick Nurse, who later led the Toronto Raptors to an NBA championship, the Bears enjoyed a successful run from 2001 to 2006, winning the BBL Championship in the 2002-03 season and the BBL Cup in 2004-05. It gained international attention in 2006 by signing NBA Hall of Famer Dennis Rodman for a brief stint. The franchise folded later that year, and efforts to revive elite basketball in Brighton faced challenges, with the BBL favouring Worthing Thunder for a franchise slot. However, the Bears’ legacy lives on through a new club established in 2014 in nearby Lancing, West Sussex, initially called the Sussex Bears but since 2022 known again as the Brighton Bears. See also Wikipedia.